Our Collectors
Username Owns Wants Sells
aprilsthor... 24 - -
bgnatt 6 - -
CrabbMan 1 - -
firecrashe... 13 - -
geckosnake 6 - -
Gossamer33 118 - -
Hiroboy 262 1 3
JamieShaw 300 39 -
jeroendoct... 1083 - -
Jesus love... 2 - 3
karabeaner... 1 1 1
killer_pum... - - 1
King of Gl... 67 - -
littlecact... 94 - -
logg_frogg 38 - -
Luna 11 - -
MayonaiseB... 47 - -
mighty 125 29 -
mstrchapl - 6 -
neutro 11 8 -
Ryan8765 10 2 1
s_hannon43... 2 2 -
soonergian... 32 - -
Spag 187 5 -
zeroo 39 1 -
Earphoria / Vieuphoria
Le Mouv'
Rotten Apples

This site was set up in 2003 by 3 collectors of Smashing Pumpkins memorabilia. At that time almost no visual and indepth information was available on the net. But with the help of family and friends, after 1,000's of hours of programming, scanning, research, writing and also tons of frustrations and laughters, SPfreaks.com was the result.

Now we need you to get this site going. Help us to make this place the most comprehensive graphical resource for Smashing Pumpkins items, whether it be Awards or Posters. Tickets or Vinyl. Press Kits. Clothing. CDs. Basically we want to put everything with the name Smashing Pumpkins on it online. So please feel free to contact us, or join us on the SPfreaks Forum, or check us out on WordPress, Twitter or Facebook!

Either way, we will be very happy to hear from you!

The SPfreaks Team

SPfreaks News
2014.06.24 | Mark Ignoffo Talks Smashing Pumpkins

Interview by geo folkers

In late 1988, early ’89, Mark Ignoffo had an opportunity to work with a young Smashing Pumpkins. Here are a few questions that Mark was kind enough to recently answer:

You had an opportunity to work with one of the greatest bands ever. How did you come to meet the Smashing Pumpkins?

Well, as with most things it was merely by chance. My family was having a garage sale and I was selling an old Farfisa organ. A young guy stopped by and saw the organ and asked if I played keys and the conversation morphed into my recording studio which was located in the basement of the house at the time. He said, “man there is an incredible guitar player you have to hear. He works down the street at this used record store.” So somewhere in the next few weeks I stopped in at the “Record Hunt” and met Billy.

What was the Smashing Pumpkins like in the early years?

At first, it was just another band that I was going to record. Most everyone that does a demo has the grand dream of being discovered. It was immediately obvious that Billy was a phenomenal guitar player, but in the music industry, talent doesn’t mean success as you can tell by listening to the radio. I wasn’t familiar with some of the bands he liked, such as Dinosaur Jr. which I think was good because I approached the recording with the perspective of not trying to “match” a sound. I remember him telling me he really liked some of the Beatles production techniques and I believe he was reading a book about it at the time. James was always a pretty quiet guy in the studio. Nice but never said too much. Jimmy was mostly there just to do the drums and didn’t usually come in for the overdubbing. D’arcy was easygoing but one Saturday morning session she made it known she was not a “morning person”. Not in a mean way, but she would have preferred to start later. It got a little tense sometimes between them but never tension towards me.

How often did you work with the Smashing Pumpkins?

I worked with them for approximately a year but I don’t recall if we started late in 1988 or early in 1989. It was in February of 1990 that I moved my studio to Florida and I remember completing the last of the recordings right before I left.

Was there something special about working with Billy Corgan? His drive or work ethic?

I can say without a doubt that he was the driving force of the band. I’m sure even he would admit maybe being a bit of a tyrant at the time but he knew what he wanted and expected everyone to do their part. They had limited funds and didn’t want time wasted in the studio with someone doing a million takes. I will tell you that I feel we had a great relationship working in the studio together. It was always professional but relaxed, especially when we were mixing. I think to this day that his amp was one of the loudest I ever recorded in the studio.

Please read the rest of this interview on our WordPress page!

Collection Main Page
My Collection Introduction
About The Band
Tour & Recording History
SPfreaks Forum
SPfreaks Hall Of Fame
SPfreaks Merchandise
The Collection

Autographs [59]
Awards [47]
Backstage Passes [102]
Blu-Ray Discs [3]
Books [7]
Cassettes (Official) [233]
Cassettes (Unofficial) [3]
CDs (Official) [1310]
CDs (Tribute) [19]
CDs (Unofficial) [288]
Clothing (Official) [89]
Clothing (Unofficial) [11]
DATs (Official) [2]
DVDs (Official) [54]
DVDs (Unofficial) [17]
Flyers [59]
Guitar Picks & Drum Sticks [21]
Legal Documents [7]
Magazines [241]
Minidiscs [5]
Order Forms [17]
Pins [1]
Posters (Concert) [252]
Posters (Promo) [66]
Press Kits [39]
Promo Flats & Trade Ads [52]
Promo Postcards [32]
Setlists [167]
Stickers [11]
Tape Reels [1]
Tickets (Concert) [214]
Tour Books [26]
USBs [13]
VCDs (Official) [3]
VCDs (Unofficial) [1]
Videos (Official) [79]
Vinyl (Official) [137]
Vinyl (Unofficial) [20]
Virtual Music [44]
Miscellaneous [74]

Top 16 Hot Items
Latest Additions
Mellon Collie And The Infinite Sadness

United States


United States

Rock In Rio - Lisboa, 26 Maio 2012


Night Prayers


Bercy, France 19-10-2000


Sold Out…